Hey there! I hope you are enjoying your spring. It's Koninginnedag here in the Netherlands, and the weather turned rainy last night and will apparently stay so next week, which spoils my plans a little, but oh well.
So, images in polymer - there are obviously a lot of ways that you can achieve them (caning, painting, transferring, carving, backfilling, etching) and I was experimenting a bit this past week with some of the techniques, mostly carving and backfilling and transferring.
First, let me show you the carved pendants (they will be in the shop later today).
I love the flower one so much I almost kept it. The birdie one looks better in person than in the pic and was hard to photograph because of the varnish applied to it, but is not as pretty and vintagey looking to me as the first one. They are both carved and then antiqued with acrylic paints. But they were carved before baking though - I find it much easier (and obviously much more forgiving).
And now to transfers...
The only transfers I did before were on baking parchment with inkjet printer and those were good enough for what I wanted to achieve, but this time I wanted a proper clear transfer so I tried the toner one. I read up on it galore and then set forth to do what I thought would be a straightforward and quick process. Oh how mistaken I was! Seriously, I have no idea what I'm doing wrong and have been reading up on it afterwards as well to no avail. Let me show you my troubles:
1) Snakeskin ring
This transfer turned out the best of them all, but that is due to the fact that it's a busy pattern, so you can't really make out if there are mistakes. However, when I applied a layer of liquid FIMO and re-baked it, it bubbled up in tiny specks. In stuff that I wear I really don't mind little imperfections, but it is definitely a mistake and I can't figure out where I'm going wrong.
(I adore huge rings btw.)
2) Fly ring
In this one you can clearly see two problems - first, there are still little hairs of paper that I couldn't get off for love nor money, and second, due to trying to @#Y^%% get rid of them I rubbed off a part of the fly's left wing. How do you get rid of all the paper!? I mean, if you leave it there, as soon as it dries it creates a milky film over the image, and if you rub more it smudges the image. Which leads me to
3) Japanese print ring
No picture since I screwed it up completely (and it was my favourite image!). Same thing as with the fly, I was trying to get rid of the paper from the black hair of the girl in the picture and at some point the black just smudged all over her porcelain face! And there was still a white paper film on the hair!
4) Liquid clay transfer (decal attempt)
Also no pic, since it was ruined.
I put Liquid Fimo onto a picture, baked it, soaked it in water, started rubbing paper off (it wouldn't peel in one go) and just straight rubbed off the whole image from the clay!
I really don't get it! Please do share your advice, if you have any, I am getting desperate!
In the meantime, I am itching to do some etching (hah!) but want to sort out this transfer rebus first!